City of Potosí
In the 16th century, this area was regarded as the world’s largest industrial complex. The extraction of silver ore relied on a series of hydraulic mills. The site consists of the industrial monuments of the Cerro Rico, where water is provided by an intricate system of aqueducts and artificial lakes; the colonial town with the Casa de la Moneda; the Church of San Lorenzo; several patrician houses; and the barrios mitayos, the areas where the workers lived.
In the 16th century, this area was regarded as the world’s largest industrial complex. The extraction of silver ore relied on a series of hydraulic mills. The site consists of the industrial monuments of the Cerro Rico, where water is provided by an intricate system of aqueducts and artificial lakes; the colonial town with the Casa de la Moneda; the Church of San Lorenzo; several patrician houses; and the barrios mitayos, the areas where the workers lived.
Outstanding Universal Value
Brief synthesis
Potosí is the example par excellence of a major silvers mine of the modern era, reputed to be the world’s largest industrial complex in the 16th century. A small pre-Hispanic-period hamlet perched at an altitude of 4,000 m in the icy solitude of the Bolivian Andes, Potosí became an “Imperial City” following the visit of Francisco de Toledo in 1572. It and its region prospered enormously following the discovery of the New World’s biggest silver lodes in the Cerro de Potosí south of the city. The major colonial-era supplier of silver for Spain, Potosí was directly and tangibly associated with the massive import of precious metals to Seville, which precipitated a flood of Spanish currency and resulted in globally significant economic changes in the 16th century. The whole industrial production chain from the mines to the Royal Mint has been conserved, and the underlying social context is equally well illustrated, with quarters for the Spanish colonists and for the forced labourers separated from each other by an artificial river. Potosí also exerted a lasting influence on the development of architecture and monumental arts in the central region of the Andes by spreading the forms of a baroque style that incorporated native Indian influences.
By the 17th century there were 160,000 colonists living in Potosí along with 13,500 Indians who were forced to work in the mines under the system of mita (mandatory labour). The Cerro de Potosí reached full production capacity after 1580, when a Peruvian-developed mining technique known as patio, in which the extraction of silver ore relied on a series of hydraulic mills and mercury amalgamation, was implemented. The industrial infrastructure comprised 22 lagunas or reservoirs, from which a forced flow of water produced the hydraulic power to activate 140 ingenios or mills to grind silver ore. The ground ore was amalgamated with mercury in refractory earthen kilns, moulded into bars, stamped with the mark of the Royal Mint and taken to Spain.
The city and region retain evocative evidence of this activity, which slowed significantly after 1800 but still continues. This includes mines, notably the Royal mine complex, the biggest and best-conserved of the some 5,000 operations that riddled the high plateau and its valleys, dams that controlled the water that activated the ore-grinding mills, aqueducts, milling centres and kilns. Other evidence includes the superb monuments of the colonial city, among them 22 parish or monastic churches, the imposing Compañía de Jesús (Society of Jesus) tower and the Cathedral. The Casa de la Moneda (Royal Mint), reconstructed in 1759, as well as a number of patrician homes, whose luxury contrasted with the bareness of the rancherias of the native quarter, also remain. Many of these edifices are in an “Andean Baroque” style that incorporates Indian influences. This inventive architecture, which reflects the rich social and religious life of the time, had a lasting influence on the development of architecture and monumental arts in the central region of the Andes.
Criterion (ii): The “Imperial City” of Potosí, such as it became following the visit of Francisco de Toledo in 1572, exerted lasting influence on the development of architecture and monumental arts in the central region of the Andes by spreading the forms of a baroque style incorporating Indian influences.
Criterion (iv): Potosí is the one example par excellence of a major silver mine in modern times. The industrial infrastructure comprised 22 lagunas or reservoirs, from which a forced flow of water produced the hydraulic power to activate the 140 ingenios or mills to grind silver ore. The ground ore was then amalgamated with mercury in refractory earthen kilns called huayras or guayras. It was then molded into bars and stamped with the mark of the Royal Mint. From the mine to the Royal Mint (reconstructed in 1759), the whole production chain is conserved, along with the dams, aqueducts, milling centres and kilns. The social context is equally well represented: the Spanish zone, with its monuments, and the very poor native zone are separated by an artificial river.
Criterion (vi): Potosí is directly and tangibly associated with an event of outstanding universal significance: the economic change brought about in the 16th century by the flood of Spanish currency resulting from the massive import of precious metals in Seville.
Integrity
Within the boundaries of the property are located all the elements necessary to express the Outstanding Universal Value of the City of Potosí, including the ensemble’s industrial mining and urban components such as the system of artificial lakes, the mines, the mineral processing mills, the architecture and urban form and the natural environment, all dominated by the majestic presence of Cerro de Potosí. No buffer zone for the property has been delimited.
Authenticity
The City of Potosí is authentic in terms of the ensemble’s forms and designs, materials and substances, and location and setting. Still dominated by the majestic Cerro de Potosí, the “Imperial City” of Potosí’s streets, squares, civic and religious buildings, parishes and churches remain as faithful witnesses of its great splendour and tell the important history of mining in the Americas.
The degradation of Cerro de Potosí (also called Cerro Rico [Rich Mountain] or Sumaj Orcko) by continuing mining operations has long been a concern, as hundreds of years of mining have left the mountain porous and unstable. The Bolivian Mining Corporation included the preservation of the form, topography and natural environment of the mountain as one of the objectives for its future exploitation. Nevertheless, recommendations by a World Heritage Centre/ICOMOS technical mission in 2005 to improve the security and stability of the property, as well as other conditions necessary to allow for sustainable mining activities, were not addressed and portions of the summit of the mountain have collapsed. The authenticity of the property is thus threatened, and urgent and appropriate action must be taken to protect human lives, to improve working conditions and to prevent further deterioration of this vulnerable component of the property.
Protection and management requirements
The City of Potosí is protected under the Constitución Política del Estado (Political Constitution of the State), Art. 191; Ley del Monumento Nacional (National Monument Act), 8/5/1927; Normas Complementarias sobre patrimonio Artístico, Histórico, Arqueológico y Monumenta (Complementary Standards on Artistic, Historical, Archaeological and Monumental Heritage), Decreto Supremo (D.S.) No. 05918 of 6/11/1961; Créase la Comisión Nacional de Restauración y Puesta en Valor de Potosí (Establishment of the National Commission for the Restoration and Revitalization of Potosí), D.S. No. 15616 of 11/7/1978; Normas sobre defensa del Tesoro Cultural de la Nación (Standards for the Protection of the National Cultural Treasure), Decreto Ley (D.L.) No. 15900 of 19/10/1978; and Act No. 600 of 23/2/1984 to finance the implementation of the designation of the City of Potosí as a “Monumental City of America” by the General Assembly of the Organization of American States in 1979. In addition the Plan de Rehabilitación de las Áreas Históricas de Potosí - PRAHP (Rehabilitation Plan of the Historic Areas of Potosí), its Regulations and several studies also encompass the protection of the property. There is no participatory conservation management plan for the property.
Restoration work is realized by international support from UNESCO, the Organization of American States and the governments of Spain and the Federal Republic of Germany. The Ministry of Culture of the Plurinational State of Bolivia is in charge of conservation and preservation work. The Proyecto de la calle Quijarro (Quijarro Street Project) was developed in 1981 to encourage rehabilitation of homes in the historic downtown areas; basic services are provided in collaboration with the Municipality - of Potosí. However, it should be noted that there is a strong economic downturn in the region. It is expected that cultural tourism will help provide social, economic and educational support.
Sustaining the Outstanding Universal Value of the property over time will require fully implementing the emergency and other measures identified by the 2011 technical mission; finalizing and implementing an approved Strategic Emergency Plan, including rationalization and planning of industrial exploitation in the area; developing and implementing approved measures to ensure the structural stability of the top of the mountain; modifying Article 6 of Supreme Decree 27787 to halt all exploration, extraction and any other interventions under and above ground between altitudes 4,400 m and 4,700 m; completing an analysis and modelling based on recent geophysical studies to further identify the anomalies affecting the mountain; putting in place a monitoring system; finalizing and submitting a participatory Management Plan for the property; and delimiting a buffer zone for the property.
Long Description
In the pre-Hispanic period, Potosí was only a small hamlet perched at an altitude of 4,000 m, in the icy solitude of the Andes. It owes its prosperity to the discovery, between 1542 and 1545, of the New World's biggest silver lodes in the Cerro de Potosí, the mountain south of the city which overlooks it. As a result, Potosí is directly and tangibly associated with an event of outstanding universal significance: the economic change brought about in the 16th century by the flood of Spanish currency resulting from the massive import of precious metals from the New World into Seville.
The 'Imperial City' of Potosí, which it became following the visit of Francisco de Toledo in 1572, exerted lasting influence on the development of architecture and monumental arts in the central region of the Andes by spreading the forms of a Baroque style incorporating Indian influence. Growth was extremely rapid: in the new town, where building began under the terms of the Law of the Indies in 1572, there were by the 17th century 160,000 colonists, as well as 13,500 Indians who were forced to labour in the mines. Following a period of disorganized exploitation of the native silver lodes, the Cerro de Potosí reached full production capacity after 1580, when a Peruvian-developed mining technique, known as patio, was implemented. In the 16th century, this area was regarded as the world's largest industrial complex in which the extraction of silver ore relied on a series of hydraulic mills.
Potosí is the one example par excellence of a major silver mine in modern times. The city and the region conserve spectacular traces of this activity: the industrial infrastructure comprised 22 lagunas or reservoirs, from which a forced flow of water produce the hydraulic power to activate the 140 ingenios or mills to grind silver ore. The ground ore was then amalgamated with mercury in refractory earthen kilns called huayras or guayras. It was then moulded into bars and stamped with the mark of the Royal Mint. From the mine to the Royal Mint, the whole production chain is conserved, along with dams, aqueducts, milling centres and kilns. Production continued until the 18th century, slowing down only after the country's independence in 1825.
The site consists of the industrial monuments of the Cerro Rico, where water is provided by an intricate system of aqueducts and artificial lakes; the colonial town with the Casa de la Moneda; the Church of San Lorenzo; several patrician houses; and the barrios mitayos, the areas where the workers lived.
The Casa de la Moneda (House of the Mint), in the centre of the city close to Republic Square, was constructed between 1753 and 1773. The house today is a numismatic museum. It possesses more than 100 colonial pictures and various archaeological and ethnographic collections. The church of San Francisco was the first church built during the colonial period; it houses the patron of Potosí, El Senor de la Vera Cruz. The church of San Lorenzo was built in 1548; it is an outstanding example of dressed stone in the local Baroque style.
Source: UNESCO/CLT/WHC
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